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It was coined by Iranian film critic, Hushang Kavusi. The term is used to describe low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing. The suppression of the Filmfarsi genre encouraged the Iranian New Wave of modern films in Iranian cinema. Many of the Filmfarsi that survived the Iranian revolution did so thanks to the existence of illegal VHS copies. While the films varied in theme, many of them shared common traits such as a "low production value" and "one-dimensional archetypes".
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A student of astronomy and worshipful devotee of Albert Einstein, she dreams of joining the young men who trek out nightly in the desert south of Tehran to gaze at constellations. Sundance, which kicks off its 30th edition Thursday in the mountains of Utah, is largely known for unearthing new domestic voices. At a time when Iran dominates the headlines with diplomatic and political news, these films, their creators say, offer a more accurate glimpse at the experience of Iranians both in the Middle East and abroad. And increasingly the filmmakers, young and often female, come with both a complex post-Revolution story and the urge to tell it.